女孩2021

　　Hospital physician June Lowe and successful author Rick Lowe have a seemingly perfect marriage, the one sticking point between them being the issue of children. Rick wants June to give up her career so that they can start a family, and while June is not averse to the notion of children, not only does she not want to give up her career but expand into writing herself, she not understanding why Rick couldn't/shouldn't be the primary caregiver anyway in already working from home. In the process, June feels like Rick totally dismisses her feelings. When Rick receives a blackmail letter for something he totally denies as truth, June gets implicated in a double homicide. June quickly realizes that Rick is trying to frame her, he the actual murderer. As June needs to evade both Rick and the police and has no one to confide in, including her generally loving sister Maggie Porter who believes the accusations of she being a murderer, June not only has to discover why Rick killed the two victims but why he is trying to frame her. When she believes she's discovered what's going on, June enters a dangerous cat and mouse game with Rick, it not always clear who is the cat and who is the mouse.—Huggo

当一股神秘的力量开始扰乱Noah和他朋友们的夏日欢乐时光后，他们与一名退休探员联手，开始了一场拯救小岛的冒险之旅。

　　The beast is back and her venom is deadlier than ever. When newcomer Lola is welcomed into Medusa's circle, she endures a ritual to bring her closer to her new sisters.

　　《马库巴性经》Macumba Sexual 西班牙传奇色导Jess Franco1983年的一部，这老鸭嫩的拍过180多部色情片，用过几十个化名....

　　曾经一系列事件让霍斯曼一家经历了巨大的变动。在母亲去世后，作为长子的尼尔（约翰尼·韦斯顿 Jonny Weston 饰）因精神问题与家人暂时离别。两年之后，父亲泰瑞（皮特·霍登 Peter Holden 饰）迎娶新妻安吉拉（穆赛塔·万德 Musetta Vander 饰）。借此机缘，尼尔得以回到家中，并与日夜思念的弟弟保列（盖特林·格里菲斯 Gattlin Griffith 饰）重聚。短暂的快乐并未持续多久，旧日的噩梦很快抬头。尼尔坚信当初他的床下藏有恐怖妖怪，而这一切似乎也与母亲之死些许相关。他依旧神神叨叨的样子令父亲又苦恼又气愤，孤独无助的他只有依靠与自己感情最深的弟弟。
　　栖息黑暗深处，时刻威胁着兄弟俩的恶魔，即将带来更加难以遗忘的噩梦……

A ghost at St. Vincent's College manifests yearly at the Virgin Tree on Valentine's Day, turning a symbol of yearning into terror and compelling a para-physicist to investigate its sinister origins. 　　每年情人节，圣文森特学院都会出现一个幽灵，在圣母树现身。它将象征相思的圣母树化作恐惧之源，迫使一位超自然物理学家着手调查其邪恶的起源。

　　Follows a tutor who, after being assigned an unexpected task at a mansion, finds himself struggling with the obsessions of his student, who threatens to expose his darkest secrets.

20世纪40至50年代，美国政府发布了一系列宣传片，旨在让美国民众相信原子弹不会对他们的生活构成威胁。本片是这些宣传片的一个选集。 　　整部《原子咖啡厅》可说是美国政府对人民说过的关于原子弹的谎言大全，如今看来，政府的无知和愚民手法，一方面让人好笑，一方面也提醒观众，不要太信赖官方说法。

　　相铉（宋康昊 饰）是一位受人崇敬的神父，他目睹了很多临终病人的告解，也以主的名义送别了他们。相铉自小在教堂的孤儿院长大，领养他的是一位双目失明的牧师。牧师知道他想做一个测试抗病毒药物的志愿者，极力劝阻，但他一意孤行，希望如耶稣般以身殉道。结果，500人的项目仅他一人生还，这个奇迹使他成为被顶礼膜拜的神父。但是他内心却隐藏着一个不可告人的苦衷……
　　一位母亲恳请他为自己罹患癌症的儿子康宇（申河均 饰）祈祷，他欣然应允，并意外发现患者是他童年的玩伴。在每周三的祈祷中，相铉结识了患者的妻子泰举（金玉彬 饰）。她不但沉默寡言，而且还有夜游的习惯。在一次意外接触中，两人堕入情网，然而这段爱情却逐渐被心魔导入了地狱……
　　本片获得第62届戛纳电影节评审团特别奖。

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.