玉米田的小孩7

Ja-young and her friends decide to shoot a video titled “Spirit Summoning That Tells You Everything” for a YouTube contest with a cash prize. Initially planning to stage the whole event as fiction, they begin filming in the water tank of an abandoned building. However, prompted by Ja-young’s suggestion, they attempt a real séance. Ja-young hopes to uncover clues about her older sister, who went missing when they were children — but what begins as a playful ritual soon spirals into a terrifying experience none of them can handle. What starts out as curiosity and fun gradually transforms into a nightmare. The séance, conducted in a confined and claustrophobic space, is rendered with chilling realism, adhering to the conventions of classic horror. The film skillfully builds tension through the occult element of spirit summoning, while also revealing the slow unraveling of friendships and long-buried secrets, maintaining strong dramatic momentum throughout. Standing apart from typical teen horror, the film boasts high genre polish and gripping performances from actors like Kim Yerim and Lee Chanhyeong. With its immersive terror that makes viewers feel as if they're part of the ritual — and a finale that defies all expectations — it leaves a lasting impression.

Charles, and Kyle are three private investigators that specialize in missing persons cases. Mickey and her team get in way over there heads when they cross a serial killer who has three very nasty pets that have a taste for human flesh. The team must do what the can to stay alive and to save the killer's next prey before its to late.

　　讲述由少年纯粹的愿望、而在幸福的亲子家庭引发的灾祸的故事。

　　因调查的案件涉及政治人物，刑警星野一正（津田寛治 饰）被“发配”至调查一课。该部门主要负责即将超过诉讼期的悬案，属于献少人问津的清冷部门。星夜不改追查真相的本性，开始查阅历年文献。一宗14年前的案件偶然映入他的眼帘：某捷克贵族后裔美夜子•罗君贝尔克（杉本彩 饰）的女佣被残忍杀害，嫌犯至今下落不明。一方面为美夜子的美貌所吸引，一方面决定让死者的冤屈昭雪，星夜开始着手此案的调查。他走访美夜子的别墅，得知真正的罪犯是一个名叫黑沼右京（要潤 饰）的年轻实业家。他偷偷潜入黑沼的府邸，却见到难以置信的一幕。由此，星夜开始逐步了解事件的真相，也慢慢了解到美夜子和黑沼真实的身份……

　　José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。

　　一位从越南归来的美国老兵，在路易斯安娜的家中发现老婆与别人偷情。愤怒的他受到一种奇怪的鸟叫声驱使，杀死了老婆与她的情人，结果自己也被怪鸟硬生生啄去了双眼。多年后，一群年轻的大学生到美国路易斯安娜某处寻找一种罕见的鸟类，结果被困在一所荒郊野岭的房子里。而更令他们没想到的是，那里除了有怪鸟之外还有大量丧尸！

　　设定在1999年，以伪纪录片形式，聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。

　　以2000年岐阜县富加町发生的“幽灵住宅区事件”的真实故事为主题的都市传说恐怖片。

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.