第七码

　　这是一个人人都想要生男孩的年代，为了能有一个儿子，夫妻们不惜前往医院去做染色体分离手术，如此一来，渐渐地，这个世界上的女孩越来越少。男大A（侯耀文 饰）求子心切，却还是得了个女儿，最终，男大A决定将女儿遗弃。
　　随着时间的推移，女孩从最初的不被认可，逐渐变成了“珍稀物种”。人们想起男大A家有个女儿，便纷纷跋山涉水前去提亲，知道求女无望后，他们决定出家当和尚，却因为心怀不轨而被方丈拒之门外。某日，男人们捉到了一个女扮男装的小偷，小偷将男人们带到了名为“女子中心堡垒”的秘密基地处，那里的女主任，原来正是男大A当年抛弃的女孩。

　　小晓（林品彤 饰）是一位活在自己世界的女孩，因为一个令人揪心的秘密，她在学校被同学霸凌孤立，妈妈薇芳（陈意涵 饰）也视她为麻烦，在国外长期工作的爸爸更像既熟悉又遥远的陌生人，唯有班导保罗（刘俊谦 饰）仿佛能理解并舒缓她 的情绪。一次台风天下课，小晓目睹了妈妈与班导的秘密，困惑的她不仅必须强迫自己适应这个复杂的情感关系，也逐渐发现原来她与妈妈都有各自对生活说不出的无奈……
　　林品彤凭此片获得第60届金马奖最佳女主角，也是金马史上最年轻的影后。

　　故事背景设定在一大家人居住的公寓，祖孙三代都居住在这并不算太宽敞的公寓。有限的空间，必然也让一家人的矛盾激化放大。同一屋檐下的故事不断上演。

　　Everyone bode her a rousing farewell on her way to New York – and yet, she remained in Wellington! With fantasy, charm and typical New Zealand humour, Millie finds it necessary to produce fake pictures of her supposedly wild life overseas and posts them for her friends on the World Wide Web. As a secret shadow to her own life, she learns a lot that she would rather not have known.

　　The finale to the Bull Shark trilogy as a family of Bull Sharks faces off against a small Texas lake community.

　　安迪与翠丝生活过得相当写意，岂料翠丝因腹痛难抵，致电求救，并由安迪旧同学卓德替她治理。经诊断后，他发现翠丝怀了身孕，惟子宫出现问题必须切除，事后，翠丝大怒与丈夫离婚，并控告卓德要求赔偿，惟安迪此际发现自己患有不育之症。

在一个与世隔绝的密林所在，坐落着全然封闭的小镇新伯利恒。18年前，在第六个月的第六天，有六个女孩降临人间，恰恰应了新伯利恒流传多年的预言，据说当这个“666”的数字出现时，魔鬼便将从黑暗中爬出，用它污秽邪恶的手侵蚀着这片光明的土地，荼毒纯洁无瑕的女孩。转眼到了当下，当时出生的女孩除了小罗丝被妈妈扼杀外，萨拉（丽亚·派普斯 Leah Pipes 饰）、阿比盖尔（Katie Garfield 饰）、玛丽（阿莉希亚·德布纳姆 Alycia Debnam Carey 饰）、汉娜（Nicole Elliott 饰）等人均在长老的看护下长大。 　　青春萌动的女孩向往外部的花花世界，与此同时，他们中间有人则相继失踪，恐怖的预言似乎正一点点兑现……

马蒂亚斯是一位怀揣文学梦想的年轻人，他离开蒙特利尔的广告行业，前往法国南部成为了一名牧羊人。然而，通往他向往的田园宁静之路却充满艰辛。伊莉丝是一位毅然辞职的公务员，她的来访为马蒂亚斯的探索之旅带来了新的方向。两人携手踏上迁徙之旅，在山区的挑战和对羊群的照料中，共同开创属于自己的新生活。

　　1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).