玻璃屋

蒂姆（保罗·沃克 Paul Walker 饰）原本要在监狱里度完他余下的人生，但一个消息的传来让他看到了未来的希望。FBI希望他能够执行一项特殊的任务，而任务成功之后，他即可获得他梦寐以求的自由。任务中，蒂姆需要乔装打扮成为臭名远扬的毒贩鲍比，前往墨西哥完成一项危险的交易。然而，在女友伊莉莎白（奥利维亚·王尔德 Olivia Wilde 饰）的帮助下，蒂姆很快便发现事情远没有他想象的那么简单。 　　原来，FBI的所作所为是为了替真正的鲍比（詹森·刘易斯 Jason Lewis 饰）保命，很显然，蒂姆将要成为鲍比的替死鬼。桀骜不驯的蒂姆发誓绝不就此坐以待毙，事发当日，在一片混乱中，蒂姆绑架了鲍比的儿子，他将成为蒂姆手中最大的筹码。

　　一张中奖彩票，打乱了在婚姻登记处工作的葛大伟（郭涛 饰）和陈小玲（胡静 饰）原本平淡无味的夫妻生活。在小姨子的鼓动下，他们找来几位朋友，开办了一家旨在帮助处于婚姻危机中的男女，解决他们的婚姻危机的爱情维修站。在葛大伟与同事们的共同努力下，他们挽救了一段又一段的婚姻，其间发生了许多啼笑皆非的故事。然而由于资产支配不当，他们的收入并没有随着事业的发展成正比增长。几单生意不仅没有赚到钱，而且把自己的全部积蓄都赔了进去。此时，长期存在于葛大伟和陈小玲之间的矛盾激化，陈小玲最终选择了离家出走。夫妻关系和事业同时走到绝境，葛大伟将如何走出双重困境……
　　本片集结英达、蔡少芬、张晋、苑琼丹等众多明星加盟，惊喜不断，笑声连连。

這是一部約兩小時的電視短劇，溫碧霞飾演一個戰亂時代的孤女(冬兒)被羅嘉良飾演的年青將軍(玄武)于危難中所救,兩人頓生情愫。 　　可是武必須奉父命出征,只好與冬相約數月後相見, 　　但戰事的延誤使兩人無法會合,而冬在這時被人捉去，當作向武之父進貢的民女。 　　武沒法尋獲霞,郤在府中和冬相遇,冬要求與武私奔, 　　但武不欲背叛父親,于是出征逃情而去,結果冬極不情願地成爲了武父的一名姬妾。 　　冬兒雖然得到李烈寵愛,但她色誘武兄,唆擺他弑父奪權,又離間他和武弟的關係, 　　且刻意接近府中粗獷忠心的侍衛首領莫一言(羅莽),以確保自身的安全。 　　後玄龍兄弟終弑父奪權,但又爲玄武所殺,武弟欲除去冬,侍衛首領言挺身相救, 玄虎被殺。 　　此時武聞家逢巨變,從塞外返回,得知一切事件皆由冬而起, 心痛不已, 　　而冬見武終于歸來,只表明心中情意一直未變,然後便自盡于武懷中.....

七个从小习武的兄弟带着自己的功夫梦和出人头地的愿望，从家乡来到大都市打拼。自此，受尽欺辱的小人物成功逆袭为问鼎娱乐业的大亨，并与来自香港的娱乐势力水火不容、刀兵相见——当诱惑、纷争、猜疑、离间纷至沓来，兄弟们共同演绎了一场共赴生死、不负信任的大爱真情。剧中美女豪车、新派功夫、江湖恩仇、终极一战令人血脉喷张，大呼过瘾。剧中人物亦邪亦正，亦黑亦白，令观众时而愤怒，时而垂泪，感同身受。道江湖恩仇，尽显男儿本色。

從小喝洋墨水長大的天才女指揮封或芸，遇上了玩世不恭的 NPO 樂團首席童人多，因著兩廳院董事長天外飛來的一案奇想，以及牽引著二人熱愛音樂的半張謎樣的樂譜，和一段熟悉又陌生的部落旋律，磁場天生不和的兩人，被迫扛下結合原住民部落音樂與古典交響樂、在國家音樂廳演出的重責大任，一段瑜亮情結的合作關係、一齣不被看好的戲碼，各懷心意的兩人不情願地來到了臺東南王部落，村民們的真性情，卻讓封或芸在不知不覺中融入並愛上了這裡的人事物，期間雖遇國家愛樂交響樂團解散，表演將被取代的危機，兩人仍不放棄地盡力將交響樂團團員們重新聚集，為帶領族人前進兩廳院的夢想做萬全準備…

　　1981年，艾滋作为一种前所未见的免疫系统缺陷疾病在纽约出现。由于它集中发生在男同性恋当中，所以在当时又被称为“同志病”。内德（马克·鲁弗洛 Mark Ruffalo 饰）是一个激进的同志作家，当他看着朋友纷纷死去以及政府的不作为时，义愤填膺的他发起了男同健康危机组织， 呼吁政府和社会公众对这场即将爆发的大瘟疫给予重视。半身瘫痪的女医生艾玛（朱莉娅·罗伯茨 Julia Roberts 饰）是少数从一开始就高度警惕艾滋疫情的的医护人员，也是内德重要的异性恋盟友。在运动中内德认识了纽约时报记者菲尼克斯（马修·波莫 Matt Bomer 饰），两人陷入如火如荼的热恋。然而菲尼克斯最终也被确诊感染，悲痛的内德惟有爱人和事业两线作战。健康危机组织的主席布鲁斯（泰勒·克奇 Taylor Kitsch 饰）虽然是内德最好的朋友，然而深柜的他行事风格与好斗的内德截然相反。执行董事汤米（吉姆·帕森斯 Jim Parsons 饰）一直试图平衡两人，却无法消弭越来越大的分歧，一场决裂迫在眉睫。而此刻已是艾滋在美国蔓延的第四个年头......
　　HBO电视电影《平常的心》改编自托尼奖同名戏剧，作者拉里·克莱默亲身经历了80年代的艾滋风暴，他以自己为原型，将纽约同性恋人群以及艾滋病人的生活和感悟写进剧本。电影不但描绘了早期艾滋运动的真实和复杂面貌，而且呈现了同志争取权益的曲折与必要性。无论身处怎样的时代和环境，去爱、去追求爱都应该与生俱来的权利。

　　谁的青春不挣扎？高中女生阿玲在同学中显得有点不合群，因为她从不参加同学们课余组织的唱K、聚会活动，对最热的追星话题也像闻所未闻，在同学眼中整个一“星外生物”。然而大家却也十分敬佩她，因为她是——学霸！用一次次飙高的成绩说话！
　　可最近阿玲的行为怪异，上课哈气连天，还经常请假。原来阿玲最爱的老爸患了重病，她必须到医院照顾并且兼职打工赚医药费，打工中有不少奇遇仍坚持着，她主动要求捐出肾脏拯救老爸！这份爱与勇气一时间被媒体争相报道，阿玲成了校内风云人物！她的全家得了帮助，而命运却也就此发生了不可预料的逆转……

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　《姐姐》是一部以“心灵的洗礼和觉醒”为主题的电影，于2004年开始拍摄。影片讲述了一个在富足家境中长大的城市小孩，在随父亲乡下探亲的过程中，认识了隔壁邻居沉默寡言“姐姐”，从开始调皮捉弄她，到逐渐了解她，被她所生活的贫困环境所震惊，内心接受的一场洗礼，孩童善良的本质逐渐展现。影片运用了大量的长镜头，是一部很抒情的作品，在马来西亚、新加坡、泰国等国家先后上映，获得了广泛好评。也是在这部作品中，奠定了谢家良导演作品的温情主题，并在以后的作品中延续下去。