再见，李可乐

余兆安（林文龙饰）因少年犯案被判入感化院，从此便踏入黑社会之路，恨错难返。 　　安青梅竹马的好友赵家强（曾伟权饰）郄成为总督察，致力伸张正义维护法纪。安、强两人黑白对立，但暗地里郄又是知己深交，面对尖锐的矛盾冲突，这段深厚的友谊，令他们内心充满挣扎，欲舍难离。 　　另外，女督察方敏儿（陈法蓉饰）一直针对安，郄始终未有充分证据将他逮捕。后敏发现安亦有爱心的一面，对他的成见渐渐随之改观；一次危机中，安不顾自身安全为救一名小孩而受伤，令敏内心深处对安产生一份特殊感情，而强对敏亦心存爱意，令敏为此深感矛盾..... 　　人在江湖，身不由己，面对挚友、恋人，安如何在黑白之间作出抉择？在情与义之间作出取舍？

　　第53届金马奖形象短片之二——毕赣篇
　　去年以《路边野餐》一鸣惊人、勇夺金马奖最佳新导演的毕赣，回到故乡贵州凯里拍摄，并找来偶像侯孝贤的子弟兵、亦是金马奖得主姚宏易来掌镜，用16mm摄影机打造出“日常奇迹”的感动。
　　何谓“日常奇迹”？毕赣说他的“日常奇迹”很多，举凡孩子 出生、汽车突然能发动、太阳落山、或著饭煮熟了都是。而他对影展的形容也很奇妙：“影展就像是一个有品味的餐厅，然后这支广告像是这个餐厅的花园，裡面应该有鸟叫与花香，然后我要偷偷地放一把椅子进去，让入场的观众可以坐一坐。”
　　毕赣在《路边野餐》有个超过40分钟、技惊四座的长镜头。这是他第一次拍广告，他很开心终于可以拍一个“特别短”的电影。结果，原定交件长度是不超过60秒，他毫无意外还是不小心“超时”了。但这支魔幻又诗意的广告，却让看过的人无不惊呼意犹未尽，期待能有延伸为一部电影的机会，甚至臆测这会不会是他下一部作品的“线索”。而这次除了毕赣的招牌诗句，歌曲方面则选用了毕晓世创作、杨钰莹演唱的〈轻轻地告诉你〉。
　　与另外两位导演赵德胤、陈哲艺分别完成“金马53”年度广告，毕赣高兴地说：“这就像是三个人在同一个邮局写信，然后悄悄地寄给不同的人。”
　　这回答还真像他的电影。

　　一支濒临解散的漂移赛车队为了解决危机，从电竞游戏领域挖来了日本最顶尖的玩家大羽纮一（野村周平 饰）。大羽的性格十分内向，且不善与人沟通，只是沉浸于游戏世界的他在赛车游戏中却拥有着惊天才能。从虚拟世界来到现实世界，作为真正赛车手出道的他，尽管想在实战中施展才能，但与他同场竞技的全部是赌上了身家性命，想要挑战更高速度的赛车勇士们。现在开始，请看天赋和车技慢慢觉醒的大羽，如何以自己的勇气，热情，团队合作精神，打破虚拟与现实的障碍，不断跨越困难，迎来新的人生巅峰。

影片原型丹东凤城大梨树村党委书记毛丰美是优秀基层干部的代表，他坚信“党的政策里就有好日子”，在担任村干部的30多年时间里，带领大梨树村党员群众发扬“干”字精神，开荒山、种果树、搞旅游，走出一条农、工、商、贸、旅一体化的发展路子。

　　对家人感到失望的10岁女孩汉娜遇到父母长期在外工作的9岁的友美和7岁的友珍，三个小女孩互相依靠，重组小小的“家”，为了挽救彼此的家庭，她们决定开始一场未知的旅行。擅长描摹女孩细腻故事的韩国女导演允佳恩，继《我们的世界》之后的又一部佳作，用极富爱心的洞察力展现孩童之间复杂而微妙的情感，给成年人以别样的启示。

　　故事发生在位于墨西哥北部的一个宗教社区之中，住在这里的人都是极为虔诚的信徒，一丝不苟的遵循着主的指引，一言一行均时刻谨记教义。约翰（Cornelio Wall 饰）和妻子艾斯特（Miriam Toews 饰）是此处的居民，两人结婚多年，一家人住在风景秀丽的郊外，日子过得平静而又幸福。
　　然而，一场风暴正在平静的表象之下激烈涌动，原来，约翰爱上了一位名叫玛丽安（玛丽亚·潘克拉兹 Maria Pankratz 饰）的女子，两人常常私会，享受灵与肉结合的快感。两人的关系并非仅仅局限于肉体，约翰深深的爱着玛丽安，这也就意味着，每当他和玛丽安在一起时，违背的不仅仅是世俗的道德，还有自己一生坚持的信仰，这令约翰陷入了巨大的痛苦之中。

　　The movie is based on the suspense short film nominated for the Golden Méliès to the Best European Fantastic Short Film, winner of more than 30 awards and screened by more than 200 film festivals. It was defined by the critics as "a cult short film".

　　在这部情节纠葛的剧情片中，两名大学室友为求成功走上不同的道路。蓝领阶级出身的约翰库萨克很快就学会攀附政治权贵，而预备学校毕业生詹姆斯史培德则从司法部的基层干起。
　　当两人的理想互相牴触时，会发生什麽样的冲突呢？

美籍华人吴菲，她沿着汉江来到汉水南岸一座有着三百年历史的古老村落，寻找祖母的故乡的故事。这也是一部以外来的、世界的眼光，重新打量和解读中国传统的“道法自然”，展现中国农耕文明及其在现代文明中的启示和意义的影片。

这是英年早逝的法国导演让.厄斯塔什1974年导演的一部出色的青春片,本片讲述了一个青春期少年成长的故事,影片的格调清新写实,还原了上世纪同时期法国小城的生活和社会现实,同时通过对性暧昧的描写也出色地勾画出了青春期的困惑和诱惑,在主角小男孩一步步在诱惑下失去纯真走向改变的过程中也隐喻了导演的个人表达。

　　1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).