遗弃2015

　　凯特（蕾切尔•史密斯Rachele Smith饰）是个执着追求芭蕾舞梦想的女孩，她未经受过任何专业训练，通过录像带模仿练习，舞技出众。其父沉迷博彩不关心凯特，但是妹妹却力挺她完成梦想。她来到美国芭蕾舞学院面试，然而主考官里弗斯（彼得•盖勒 Peter Gallagher 饰）出于功利放弃了她，选择了名门之后。然而，凯特的舞技还是令人侧目，特别是另一考官库伯（伊桑•斯蒂菲尔 Ethan Stiefel 饰）和入选者汤米（肯尼•沃曼德 Kenny Wormald 饰）。前者曾为她据理力争，而后者则对她一见倾心。后来，因为在夜店一段即兴的HIP-HOP表演，凯特得到了一个HIP-HOP俱乐部的工作机会。同时，汤米开始与她约会，两个人都怀揣着对芭蕾的梦想，所不同的是前曲棍球运动员汤米转型成功，而自学成才的凯特却历经艰难……

赣南山村少年吴优，中学毕业之后辍学在家，少年对外面世界的好奇，加上为了寻找离家出走多年的母亲，少年在一日清晨偷偷离家，踏上了北上的火车，从此开始了颠沛流离的异乡生活。少年在漂泊中成长，历经艰难，因为狼狈的经历和内心对故乡亲人的愧疚，久久漂泊异乡，乡愁也日渐浓郁，故乡的意义就像牵动风筝的轴。

　　#张恒俊# 导演新作《Open the Door》入围釜山电影节“韩国电影的今天”单元，在釜山电影节公开剧照。

　　为了逃离令人窒息的繁忙生活，库珀（丹尼斯·奎德 Dennis Quaid 饰）带着妻子利尔（莎朗·斯通 Sharon Stone 饰）从车水马龙的繁华大都市搬到了人烟稀少的纽约州郊外，在那里，他们入住了冷川庄园。曾经，这里被装潢的富丽堂皇，各路名流出入其间，好不热闹。可随着时间的推移，庄园因为无人修缮而渐渐荒芜。
　　库珀和利尔相信，通过他们不懈的努力能够使庄园恢复往昔的荣光，与此同时，夫妻两人亦发现，他们的邻居幸运的是好相处的那种人。戴尔（斯蒂芬·多尔夫 Stephen Dorff 饰）是庄园原来的主人，出狱后，他回到了这片本该属于他的土地。表面上，戴尔答应帮助库珀和利尔修整庄园，但内心里，他还有这另外的盘算。

《寻找龙延香》官方预告片以角色谭（光俊）充满气概的一句话开场：“龙延香是我们村的供奉之物，谁都无权带走。”这句台词响起在紧凑的背景音乐中，为观众揭示了一段充满戏剧性的旅程，在那里忠诚、信念与亲情将面临...

　　深夜，模特苗青红在艺专的一间画室里被杀害，惊动了另一间画室正在临摹《诅咒之眼》的陈天华教授。警局派来李探长和若男调查这起案件。同为艺专教授的张澜提起苗青红原来是青楼的头牌，陈天华欣赏她的艺术才华，破例让她进入艺专。这些谈话引起了若男对陈天华的怀疑。
　　案件还没有告破，张澜又在家中神秘死去，一时间，校园里人心惶惶。就在这时，凶手通过纸条向若男发起挑衅。若男判断凶手会再有行动，赶紧组织学生集中到大礼堂，可是，学生们满心怨烦，最后都跑了出去。
　　凶案果然又发生了，凶手在食堂里投毒，五名学生中毒昏倒，经过全力抢救，只有一名叫何丹的学生还在昏迷。这时，大家发现，接连死去的人名字里都有颜色：苗青红（红）、张澜（蓝）……这让大家想起了《诅咒之眼》。据说艺专所在地原来是一座王府，当年王爷请来的画师与格格有一段不伦之恋，画师被王爷扎瞎双眼前，以红、黑、紫、蓝、白、黄六种纯色组成一只眼睛，命名"诅咒之眼"，传说此画会引发血案。

　　灵感来源于上世纪七十年代初发生在波兰的真实事件。故事围绕一个年轻的警官被任命为调查组主管，追查一系列残暴杀害女性案件的凶手展开。

　　1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).