死二月

　　在遭遇了非人的虐待并亲手屠杀了那几名施暴者之后，女作家詹妮弗·希尔斯（卡米尔·基顿 Camille Keaton 饰）声名大振。她不仅没有遭到法律的制裁，而且将自己的经历写成书出版，并四处讲座，光彩耀人。而今詹妮弗虽然上了年纪，她依然没有低调行事的打算。与此同时，詹妮弗的女儿克里斯蒂（Jamie Bernadette 饰）业已长大成人，并成为知名的模特。某天，母女步出餐厅，偶遇两名粉丝要求签名留念。谁曾想，毫无戒备的母女二人竟被对方劫持。
　　原来，对方均是当年被詹妮弗杀掉的青年的家属，特别是领头人的妻子贝基（玛利亚·奥尔森 Maria Olsen 饰）对詹妮弗恨之入骨，她发誓要用最残酷的方式抱负躺在老公及其朋友尸骨上赚钱的詹妮弗……

　　伊万诺是一名作家，但他喜欢通过监视隔壁公寓的房客来获得灵感与快感。某日，新租客阿图罗搬进了公寓，伊万诺开始引诱妻子奥尔加一同偷窥这名新租客的一举一动。为了激发创作欲望，伊万诺甚至开始让妻子主动勾引阿图罗，并鼓励她与之发生关系。随着创作的不断进行，这场性游戏也开始变得愈发刺激...结局更是意料之外的信息量爆炸。@拖延症字幕组

　　Jada gets pulled into a world of drugs and deceit in order to learn the shocking truth about what really happened to her missing sister, Kayla.
　　在她的双胞胎妹妹失踪后，贾达自己动手，伪装成自己的妹妹，并试图发现她身上到底发生了什么，她被拉进了一个毒品世界。

体育教练黛娜差点丧命于一场严重的车祸意外，清醒后的她发现自己全身瘫痪插满维生设备，不能言语的她只能透过电脑语音与外界沟通。被囚锢于失能肉体内的黛娜，深信病房内有个被称作「Nails」的邪灵亟欲吞噬她的灵魂，可是旁人对她的认知都嗤之以鼻，就连丈夫也认为一切只是黛娜的创伤症候群。孤立无援的黛娜必须竭尽所能地向众人证明邪灵「Nails」的存在，才能让自己保有一线生机……

　　西蒙，一个拥有特殊能力的年轻人，追捕一个连环杀手，他不仅与自己身体里的恶魔抗争，还要与一个政府机构对抗，因为政府机构认为西蒙太过危险，必须限制他的自由......本片根据彼得·弗兰纳里的畅销小说改编

　　A woman working as a security guard in an agricultural research facility finds herself and her co-worker Schmidt fighting to survive against their former friends.

　　It is summer break and best friends Amélie, Bintou and Morjana hang together with the neighborhood teenagers. At night, they have fun sharing goosebumps stories and urban legends. But when Amélie is assaulted by her ex, she remembers the story of Kandisha, a powerful and vengeful demon. Afraid, upset, she summons her. The next day, her ex is found dead. The legend is true and now Kandisha in on a killing spree. The three girls will do anything to break the curse.

　　Several years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

当死者开始出现复活迹象时，一名年轻女子被困在太平间中-在她的第一天-担任病理医生的助手。