女大学生之死
3.0 |03月28日 |DVD
简介:

  8月30日下午,医学院学生梅子因颈部轻度汤伤,住进惠仁医院。31日晚,病情恶化,梅子的父亲向护士丁红求救,丁红找不到医生。9月1日凌晨1:10分,得不到及时抢救的梅子在痛苦中死去。梅子的同学们经过一番了解,判定梅子之死是属于医疗事故。他们找到在报社当记者的周忆的男友王钧 ,想让此事曝光,王拒绝了。
  医院的尸解报告证明,梅子是死于意外事件。梅父不甘心女儿的屈死,四处奔走告状,都无结果。周忆和同学们进行的调查也无进展。梅父的投拆文章在报上发表,引来了冯院长5000元的私了费,梅父坚决拒绝。在周忆等人的感召下,王钧将有关材料整理上报市领导。丁红的良心受到遗责,终于说出真相:当晚值班的四个医生在药房打麻将,没有去抢救梅子。导致梅子死亡的真相大白,梅家受到医院和单位的压力,准备撒拆。这时,从市府传来消息,民不究,官也要办,市里组织有关方面的专家,教授对梅子之死进行调查,终于为屈死的梅子主持了公道。玩忽职守的责任都受到了法律的制裁,但年轻的梅子不会复活,人们应该清醒了。

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简介:

  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
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  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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