僵尸新战士国语

　　The dead are coming back to life outside the isolated Mi'gMaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.

　　大毛（吴镇宇 饰）发现他与朋友们牙丫（钱嘉乐 饰）、番茄（雷宇扬 饰）与小云（黎姿 饰）一起开的的便利店里面有些不寻找的事物。但朋友们面对大毛的表述，都觉得只是大毛的迷信看法，都随便敷衍了事，大毛深感无奈。
　　大毛刚认识的警察陈查礼（黄子华 饰）从母亲（罗兰 饰）那里得到了些民间的驱魔辟邪的方法，同时也发现朋友们的举动十分古怪。在查礼的调查之下，才发现了这间便利店背后的故事。
　　当他们听到这个故事后，都不寒而栗，深怕事情同样发生在他们的身上。到底，在这间店的背后，发生了什么令人心寒的故事呢？

　　因持有一名失踪公务员的护照，无家可归的14岁男孩马可在丹麦边境遭到逮捕。警探卡尔·穆尔克及其悬案组负责找出关联的线索。旧案件疑点重重：那名公务员在失踪前不久被指控有恋童癖，结案速度也异常地迅速。然而，沉默受惊的马可不愿开口交谈。他很快就从企图杀人封口的人们手下逃了出来。本片改编自丹麦作家尤西·阿德勒-奥尔森的同名小说，是其“悬案密码”系列的第五部作品。

　　波士顿郊外的新英格兰，一幢古老的房子废弃破败。传说很久之前，一位名叫弗莱德斯坦的科学家住在这里，他曾抓狂杀害自己的妻女，从此变成了一个吃人肉为生的恐怖僵尸，存活已有上百年。虽然这些传说有些荒诞无稽，但这幢房子却是散发着不祥的气息，诸多居住于此的人最终都遭遇了不幸。
　　因工作的缘故，小男孩鲍伯（Giovanni Frezzi 饰）随父母搬到弗莱德斯坦博士的房子里。此搬入那天开始，怪事及恐怖事件便接连发生。而鲍伯的父亲（Paolo Malco 饰）在研究疯狂科学家的生平时，也逐渐发现了其中的秘密……

　　意大利最伟大恐怖大师达里奥.亚金托(《阴风阵阵》)执导的经典悬疑恐怖片 。一个在罗马的英国音乐家在一本神秘的鬼怪书中读到关于他邻居如何残忍被杀的过程，他前去拜访该书的作者，发现她也成了谋杀的牺牲品。音乐家在解开谜团的过程中，经历了许多奇异而恐怖的事情。影片的形式感非常强，无论是令人心跳的摇滚乐还是恐怖气氛的营造，都十分到位。意大利的完整版比其他版本多出20多分钟，其中包含了更多的血腥暴力场面。

Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.

　　《鬼缠身》：东（陈展鹏饰）每次加班都遇到女上司SAM（林美贞饰），而SAM每次夜晚从厕所出来，都变得和白昼判若两人，更情挑东，东将自己遭遇告诉好友MICK（林志豪饰），两人决定查个究竟……

　　杰克•金伯勒（Matthew Knight 饰）一家的血腥灭门惨案轰动全芝加哥，而杰克本人也在严密监视的精神病院近乎病房中被残忍杀害。从此，金伯勒家所在的公寓成为全城闻名的凶宅，住户纷纷搬离此地。只有公寓管理员麦克斯（Gil McKinney 饰）和他的妹妹萝丝（Jadie Hobson 饰）、侄女丽莎（Johanna Braddy 饰）坚持住在这里。年幼多病的萝丝似乎能够看到那名面色惨白的男孩，麦克斯的状态也变得越来越怪。
　　加耶子的妹妹直子（Emi Ikehata 饰）通过报纸来到这座公寓，她知道加耶子的怨念还没有终结，这个恶灵新的杀戮才刚刚开始……

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.